Contemporary Music Instruction and Mentoring

  Selecting an All-In-One PA System


Anyone who wants to perform in public needs some kind of a PA system.  Vocalists cannot rely on whatever PA system the venue has, if they have one at all.  Pianists who haul a digital keyboard around cannot rely on the tiny built-in speakers that are not loud enough for live performance.  Acoustic guitarists cannot use a "guitar amp" that is made for electric guitar.  Acoustic guitars, electronic pianos, and vocals all need a PA system that amplifies the sound cleanly without changing it in any way except to be louder.

The components of a traditional PA system are:

Microphone (and mic stand with mic clip)
Mic cord (and guitar or keyboard cord)
Mixer
Mixer to Amplifier cord
Amplifier
Amplifier to speaker cabinet cord
Speaker cabinet (and speaker stand)

Power cords for mixer and amplifier, plus power strip and extension cords

Optional: Monitor (and amplifier and cords for the monitor)

Microphones are discussed in a separate article (LINK HERE).

Mixers are discussed in a separate article (LINK HERE).

Mixers and amplifiers used to always be separate components.  In large professional PA systems, they still are.  But in the last decade a new type of amplifier has has shrunk the size and reduced the weight of amps to the point where they are now very small and very light.  (These amps are called "Class D" type if you're interested in technical jargon.)  This has made it possible to build the amplifier and the mixer right into a speaker cabinet.  For solo musicians, duets, and acoustic bands, this is the way to go.  These all-in-one systems are faster to set up, have fewer cords to mess with, and fewer components to haul around, set up, take down, and store at home.  They have sufficient power for all solo and small group gigs indoors, and many outdoors gigs too, depending on the size of the crowd.  They are NOT powerful enough for a band, especially outdoors.

There are many all-in-one systems out there, at various price and quality points.  I will focus on the two that I think are the best values.

The easiest to use and best sounding all-in-one systems are called "line array" or "column array" systems.  Bose invented these, and I have owned a Bose L1 for quite a few years now.  It is fantastic because it is excellent sounding, and it disperses sound nearly 180 degrees, so it does not feed back badly when placed behind the performers and thus it can be the main and the monitor all in one.  The latest version is the Bose L1 Pro 8 (below left), and it is a fantastic system... BUT

Another company has recently upped the game on Bose.  The best line array speaker available now in the $1,000-$1,500 price range may be the ElectroVoice Evolve30M (below right).  It has more power than the Bose, a bigger subwoofer, more channels on the mixer, iPad or iPhone control of the mixer, effects on the mixer, and a host of other features, all at a price point comparable to the Bose (about $1,300).  Also, it projects the sound a longer distance than the Bose.  I have used both, and I like the Bose better in small, intimate venues.  It is lighter and easier to haul, and it disperses the sound nearly 180 degrees sideways so that people (and performers) don't have to be right in front of the speaker to hear.  But for a medium to large sized venue, the Electrovoice kicks the Bose's butt.  It sounds absolutely fantastic, crisper, cleaner, more bass, it projects to the back of the hall far better (just as loud and clean in the back as in the front), and it can be really loud (123db is the spec!)

                           

As I already mentioned, the only potentially bad thing about the EV is it does not disperse sound quite as widely as the Bose (120 degrees rather than 180 degrees with the Bose).  So performers on the edges of a wide stage won't be able to hear it as well as performers in the middle.  And feedback is a little more of a problem when it is placed behind the performers.  Also, it's a little heavier than the Bose because the subwoofer is bigger and the case is plywood instead of plastic.  But at 44lbs total (the base is 35lbs), it's not horribly heavy.

The other option I recommend that is the best buy in the lowest price range is the Ion Total PA series (Total PA Pro, Total PA Max, Total PA Prime, Total PA Glow, Total PA Premier, etc.) that is sold at Sam's Club.  It can sometimes also be found on Amazon, but it's cheaper at Sam's, and replacement or refund if there is a problem is much simpler at Sam's.  These speakers are bigger and bulkier than line array speakers, but they have 500 Watts, 15" subwoofers, a two channel mixer, a tripod, all-plastic cases, caster wheels, and an airport style handle.  At just over $200 each, these speakers are an absolute BARGAIN.  This is the system I recommend to all students who can't afford a line array system yet. 



When the Total PA was first introduced, I thought the price and features seemed too good to be true.  There had to be a catch.  But I was encouraged by the fact that I had been using a small ION unit in my teaching studio for the previous five years, and loved the sound and had no problems with it.  I thought "What the heck, it's Sam's Club.  If I don't like it I can take it back."  I decided to test a Total PA just to see if it was garbage or not.  So I bought one, and hooked it up side by side to do an A-B comparison with a good quality professional speaker with a 12" driver, powered by a professional 700 Watt amplifier, fed by a high quality mixer (over $1,000 of equipment).  I was astonished.  The ION had so much more volume and clarity, and the bass response was incredible.  My professional system sounded stronger than the ION in the midrange, but the ION was so much more powerful in the bass and treble that there was no comparison.  The 12" pro speaker started distorting at a much lower volume than the ION.  I was testing outdoors, and the ION was blasting the entire neighborhood.  I was so impressed, I jumped into my truck and drove straight to Sam's and bought another one.  I've never regretted it. 

I use my ION's as mains for acoustic gigs where my Bose isn't big enough, and as monitors in my rock band (where we have a 4,000 Watt professional mains system).  In both cases, the IONs perform very well.  The bass response is so good you could use it as a medium sized bass guitar amp (or as an electronic drum monitor or keyboard amp) for less than 1/4 the price of a 500W bass guitar amp and cabinet.  In small and medium sized venues you can use one as a monitor and one as a main.  In larger venues you can point them both at the audience and have a 1,000 Watt system.  They can even be used for a band.  (If every member of a 5 piece band buys one, you'll have four mains (2,000 Watts) plus one monitor for $1,000 total.)  It's nowhere near as good as a pro system, but it's better than anything else at that price.

The only downsides of this system are that the cabinet is bulky and a little heavy, the treble driver is a piezo that doesn't have much midrange punch, and the case is made of a type of Chinese plastic that releases stinky plastic-smelling fumes for a long time (it took 2 years before I could stand having mine in the house.)  The mixer is just OK; it has two mic/guitar inputs plus an auxiliary input, treble and bass for the overall mix (not for each channel), and reverb for the overall mix (not for each channel).  But this system, even without the speaker stands, is probably worth more than $600.  It sells for 1/3 that amount.  You can buy THREE of them for about $650, which is HALF the price of a line array system.  I haven't heard about any reliability problems.  Mine seem rugged enough.  I figure even if one of them breaks, I can replace it with a new one and I've still come out ahead financially.  If you are on a budget, I don't think you can go wrong with the ION Total PA.